The Prestige: A Magical Adaptation

Once again I am participating in Picture Me Reading’s weekly meme Awesome Adaptations, about films that have been adapted to screen from books. This week’s theme is “An Awesomely Magical Adaptation.”

I have not kept it a secret that I really love what Christopher Nolan does as a writer and a filmmaker. In 2006 he released a movie of intrigue based on a novel by the same name, The Prestige, about two feuding magicians.

prestigeI have listened to about half of The Prestige audio book, so I can only compare the two stories so much. The book starts in modern-day, with a young man, Andrew Westley, who we come to find out is Alfred Borden’s great grandson. Since he has been adopted, he learns of this connection only recently at the time the book begins. He is a journalist for a local paper who travels to a place for a story, only to find out that he has been summoned by Kate Angier, the great-granddaughter of Rupert Angier (who is named Robert in the film), who has some questions for Andrew that she believes will explain a mystery surrounding their magician predecessors and from their own childhood. Later, we get Alfred Borden’s account of his story in his own words. Then we get the perspective of Kate, and then we get Rupert Angier’s account in his own words (what happens beyond this point I’m not sure).

“Are you watching closely?”

The accounts of Bolden and Angier share similarities and dissimilarities between the story of the two magicians in the film. In the film, the two appear to be friends and colleagues at first, who then become scorned with one another after a  terrible accident. In the book, an accident does turn the two against each other, though they are hardly acquainted beforehand, and Bolden is not even aware of what the consequences of his actions have borne for Angier. The focus for the magicians in both the book and the movie, however, is on each magician wanting to create the best version of The New Transported Man illusion, where the magician himself appears to be transported in less than a second.

prestige-onstageNolan, however, clearly added some elements for dramatic purposes. (Warning, movie spoilers ahead) Unless these things come up later in the book, it appears that Borden was never on trial, that his wife Rebecca never hung herself, and that Angier’s wife did not drown on stage. Borden and Angier also do not exchange many words during the book, and they especially don’t appear to write secret coded journals specifically for the other magician to find. Nolan also eliminated the modern-day story line that is in the book, which I have found myself engrossed in since I am not sure what will happen there, but I can understand how it needed to be cut for a feature length film.

alfredborden-jail

What I find most fascinating about the film Nolan created is that the viewer doesn’t even know who they are really supposed to root for. Most people I saw the movie with did seem to sympathize with Angier more, whereas I had sided with Borden; but regardless, who the true protagonist is and who the true antagonist is is left quite gray. In the book, when you read (or in my case, hear) Borden’s account, he’s easy to side with. He admits he started a skirmish with Angier, but sought to make amends and did not want it to continue, whereas Angier seemed to further provoke it. Then when you hear Angier’s side, you understand better why he did what he did. Again, it’s quite gray, and even generations later, you see that the families have still not forgiven each other entirely.

(L-R) Hugh Jackman, Andy SerkisThere’s no real magic in The Prestige, but there is a lot of science, wonder, and creativity crafting the great illusions the magicians perform. And sadly, their stage lives also often overshadow, rule, and consume their real lives. For a great story about the mystery of stage magic as well as the intrigue of the human condition, I would definitely recommend the film The Prestige, and based on what I have experienced with the book so far, I would recommend it as well.

Have you seen the film or read the book? What are your thoughts? 

Character Consistency in Stories

I was listening to a podcast review of Star Trek: Into Darkness and I was a little surprised to hear some of the people on the show say they felt some of the characters were inconsistent from who they were in the 2009 film.  Likewise, I have also heard some complain that Tony Stark was inconsistent in Iron Man 3 compared to how he was before.

I disagree with both of these viewpoints, but it did get me to thinking about consistency in characters in stories (primarily from movie to movie). Just when is the character experiencing a natural change in their arc, and when is it just out of character? Personally, I found Elizabeth and Will wildly inconsistent in the second and third Pirates of the Caribbean movies as to who they were in the first one. But I know people who disagree. Why do some of us accept certain character changes and some of us not?

bonesx2
Bones contemplates this for us…

The Consistency of the Story

I think part of it is how you view the story overall. For instance, I thought the second POTC movie was a ridiculous rehash of jokes from the first and that the third movie got way too serious. The first story was such a fun romp and I felt the next two films deviated from what made the first one so good. Since I did not enjoy the plots of the story and the twists that were happening, I felt that the characters themselves were taking actions that were not consistent with how I viewed them in the first movie.

In the 2009 Star Trek film, Kirk is cocky and confident, much like Tony Stark is in Iron Man, Iron Man 2, and The Avengers. With Tony, I think we start to see him change in The Avengers, when he makes the decision to sacrifice himself (though ultimately he makes it out fine) to save all the others. In Iron Man 3, he is wrestling with what he experienced in that moment: being worried about Pepper, shocked by the fact that aliens are real, etc. I could see the thread of what happened. And he still certainly had plenty of Tony Stark moments.

tony&harley

With the Star Trek films, I admit it’s not as clear cut. At the end of 2009, Kirk gets the Captain’s chair at an extremely young age and with virtually no experience. In Into Darkness, he appears to be much the same, taking big risks with the belief that it will always work out fine. He gets lectured that it won’t always be fine, but none of that means much until he (SPOILERS for the rest of this paragraph) sees Pike die. Pike is like a father to Kirk, so his death really rocks his world. He wants to hunt down the man responsible, but he also has to learn what risks are necessary and which ones are not. It’s hard to fit so much change in a two hour film without it feeling too forced, but at the end Kirk makes a decision like Tony does. Maybe there could have been better ways to develop these two plot lines, but for me, they were fine. But I also embraced the entirety of their stories.

spock-kirk-glass

If a story is filled with plot holes and weird twists that no one believes, people are not likely to buy into what the character is doing either.

The Consistency of Voice

I was listening to another podcast called “Writing Excuses” (what can I say, I’m a podcast junkie), and in a recent episode they were discussing why the writing in The Avengers worked so well. One of the main things they praised about the movies was the consistent character voice, and for ALL the characters! But they said there were even a couple of times that the voice was not consistent but it was so well-played it didn’t matter. The big example of this was with Thor’s line about Loki being adopted. They said it was OK with them, even though it didn’t sound like something Thor would say, because the joke was perfect, it needed to be shared, and Thor had to be the one to deliver it.

I think this goes with the next point…

The Consistency in Tone

I think the example of Pirates of the Caribbean works well for this. I did not feel the tone of the second and third movies were not consistent with the first. And going back to The Avengers, though Thor’s joke was not consistent with his individual character voice, it was consistent with the tone of the movie and the dialogue in general.

This might be why some struggle with Iron Man 3 or Into Darkness, because both movies are a little darker than their predecessors. I personally do not find them to be such large departures, and I find the overall tones still consistent, but there is some change. I mean, among Iron Man, Iron Man 2, The Avengers, and Iron Man 3, there are three different directors at work. But tone can change as the characters grow, it’s just a matter of balancing the change tone, character, and story in a way that is believable and trying to stay consistent in voice and other areas.

The Consistency in Back Story

It is extremely important for writers to remember what they (or other writers working on previous projects before them) have written about a character. Likewise, it’s important for the character to have actions that match up with their personal back story. Sometimes the writer may not know the back story for the character until a lot about the character has been written, but as long as it matches with the character’s behavior, that is fine. Kirk from the J.J.-verse is different from Roddenberry’s Kirk. This Kirk lost his father and thus grew up in a very different household. He had the same mother and he still lived in Iowa, but one major difference completely changed the way he was living his life. So when the 2009 and Into Darkness Kirk is more immature and more reckless than the original Kirk, it makes sense, because he didn’t have the same strong father figure.

kirk-car

When there’s a disconnect between a character’s past and their present, without a middle that connects the change between the two (which would be more backs story we would need), we find the whole character unbelievable.

But no matter how hard a writer tries to balance all of these things, not everyone is going to agree on what works and what doesn’t work. It is the nature of art.

What do you think? Who are characters that you believe show great consistency throughout their story arc? Who are some characters that you feel do not?

Why Rebecca Needs to be Readapted

For the first time I am participating in Awesome Adaptations hosted by Picture Me Reading. Every week there is a new category to explore great adaptations of books to film. This week’s category is “Another Awesome Novel That Needs To Be Adapted.” After doing a lot of thinking, however, I wanted to focus on a novel that was adapted to the screen several years ago, but that I think could use a re-do, is the classic novel Rebecca.

rebecca-book&movieI read it in high school and probably need to re-read it, but I remember enjoying the suspense of it. Alfred Hitchcock adapted the book to a movie in 1940, and it was pretty good, as Hitchcock’s works typically are, but I think it is one of the few Hitchcock films that would benefit from a makeover by a more modern filmmaker (because I firmly believe that you just can’t duplicate Psycho or Rear Window). Here’s the synopsis from the IMDB movie pageWhen a naive young woman marries a rich widower and settles in his gigantic mansion, she finds the memory of the first wife maintaining a grip on her husband and the servants. So who would star in this version of Rebecca?

dewinters2Emma Stone and Jude Law, pictured above next to the originals just for comparison’s sake. The age gap between the wealthy widower Mr. and the young, naive Mrs. de Winter is supposed to be noticeable, and I believe the age difference between Jude Law and Emma Stone of 14 years feels about right for the story.

I think a director with a knack for suspense ought to be the one at the head of the project, but I have not decided who I would choose. I mulled over a few possibilities but I’m still not sure, as I don’t know what modern-day film to equate to the likes of Rebecca would be. Who do you think would be a great director for this film? And…

What do you think of a Rebecca re-adaptation? Which book are you most interested in seeing becoming adapted to film? 

My Top 10 Books Featuring Travel

For this week’s Top Ten Tuesday (hosted by The Broke and Bookish), I wanted to break my Top 10 into two Top 5 lists: the top 5 books featuring travel that I have read, and the top 5 books featuring travel that are on my TBR list. There is travel in virtually every book if you want to get technical, but I wanted to feature books where the traveling is essential to the plot (or for the books on my TBR list, they appear to be essential), so this is what I kept in mind as I created my lists. The lists are in no particular order.

Top 5 Books Featuring Travel that I Have Read

1. The Hobbit

thehobbitBilbo Baggins was happy living out a quiet life in his hobbit home when Gandalf retrieves him for an adventure. Nearly the whole book features travel as Biblo journeys his way through Middle Earth.

2. Scarlet

scarlet

There is a decent amount of travel in Scarlet, Meyer’s follow-up to Cinder, and as a bonus, a lot of it is futuristic methods of travel! It is through travel that Cinder escapes, Scarlet gets to know Wolf, Scarlet finds her grandmother, and Scarlet and Cinder meet. Basically, there is a lot of moving forward in the novel and it’s all important.

3. Ender’s Game

enderEven though this book is set in space, there isn’t as much traveling as you would think. Still, Ender has to leave his home on Earth to attend Battle School to try to save the world, and then later in the book he takes another journey that will have a profound impact on him (but I won’t spoil that). When Ender’s does travel, it’s always important.

4. Rebecca

rebecca-by-daphne-du-maurierIt is while traveling on vacation that the heroine of this story meets the man she marries, then travels home with him where she will be haunted by his past and her life will be changed. It’s a great, suspenseful story.

5. The Lion, the Witch, and the Wardrobe

lionwitchwardrobeI could really put all of The Chronicles of Narnia here, but I wanted to focus on the book that began it all. The method of travel is simple: a wardrobe. And somehow, some way, this wardrobe transports four children to a whole new world for a great adventure that will define their lives (actually, you can know how the wardrobe is able to do this if you read The Magician’s Nephew). When I was a child, I wished so badly I could transport to Narnia through a wardrobe as well, but sadly, I was never able to find the right portal.

Top 5 Books Featuring Travel on My TBR List

1. The Hitchhiker’s Guide to the Galaxy

hitchhikerArthur Dent isn’t looking for adventure when his friend, who turns out to be an alien, rescues him by taking him from Earth (which is promptly blown up after they leave), and they end up traversing through space. I’ve seen the movie several times but have not read the book yet, but as fun as the movie is, I can only imagine what a ride the book must be! Arthur learns a lot about himself and the universe on this journey, and even the meaning of life. Well, maybe. (And yes, Martin Freeman plays both Arthur AND Bilbo!)

2. The Statistical Probability of Love at First Sight

statisticalprobabilityThough I don’t normally gravitate towards contemporary romance, I am interested in reading this one (plus I just received it this weekend after winning a giveaway so I guess I’ll be reading it sometime!). I mean, how can you resist the cover? Travel seems important in this one since the couple meets in an airport as they are going about their separate ways. I find it an interesting concept since I think the airport is the single most fascinating place to people watch.

3. A Million Suns and Shades of Earth

acrosstheuniverseI have already read Across the Universe and want to read the continuation of the spaceship Godspeed in its sequel books. The whole mission of the Godspeed was to travel from Earth to a new world for a new home, but there lies and secrets that mar the journey along the way.

4. The Scorpio Races

scorpioFrom my understanding, the premise of this book is somewhat like that of the movie Hidalgo, except the horses are much more vicious and are raced in the sea. These horses have played a tragic role in the lives of the two main characters, and yet they both still find themselves compelled to race. I am definitely intrigued by this idea and am curious to see more about how the races impact their lives.

5. The Lord of the Rings

LOTRThe Lord of the Rings, much like The Hobbit, focuses on a journey through Middle Earth. And Frodo’s mission is imperative: to destroy The One Ring. I am so intimidated by the length of these books, but I would love to get an in-depth look at Frodo and Sam’s friendship as they travel through Middle Earth and face so many trials.

What books featuring travel are your favorite? Or what books featuring travel are on your TBR list? 

5 Types of Love Relationships in Stories

I was trying to think of how many different ways a (romantic) love relationship in a story can be packaged, and what was most commonly seen in stories. Though I know there are more than five approaches (I found a blog post that listed 13, though some overlap with my list), here are five that came to my mind:

1. Young Love

Peeta-and-KatnissThis is an affection that starts when the characters are young, like Peeta was five when he first noticed Katniss,  or like Rudy’s care for Liesel in The Book Thief. I don’t think a real, devoted love can actually start when one is five, but then again, I don’t know what the magic age would be. However, I still find this premise very cute in general.

“Well Peeta, we know, from our days in the cave, that it was love at first sight for you from what, age five?” Caesar says.

“From the moment I laid eyes on her,” says Peeta. (The Hunger Games)

2. Friendship That Turns Into Love

emma&knightleyI also love it when two friends in a story, especially if they’re best friends or childhood friends (again going somewhat with the idea of young love) fall in love. I think a classic example of this is Emma and Knightley in Emma. They’ve known each other for most all their lives, but it takes time for both of them to both fall in love and to realize it.

It darted through her with the speed of an arrow that Mr. Knightley must marry no one but herself! (Emma)

3. Resistant Love

DarcyLizzy

Jane Austen also made this a classic love relationship found in stories with Mr. Darcy and Elizabeth in Pride and Prejudice, as well as with Marianne and Colonel Brandon in Sense and Sensibility. I also enjoy this type of story because it creates such great tension. I was going to call this “antagonistic love,” but sometimes you can be friends with someone and still resist the thought of being with them for one reason or another.

“From the very beginning— from the first moment, I may almost say— of my acquaintance with you, your manners, impressing me with the fullest belief of your arrogance, your conceit, and your selfish disdain of the feelings of others, were such as to form the groundwork of disapprobation on which succeeding events have built so immovable a dislike; and I had not known you a month before I felt that you were the last man in the world whom I could ever be prevailed on to marry.” (Elizabeth, Pride and Prejudice)

4. Insta-Love (AKA Love at First Sight)

Film Review Les Miserables

Generally, this one frustrates me. I guess it may sound hypocritical to like young love stories of Peeta vying for Katniss at five and not love at first sight stories that take place years later, but at least as a child has several years to make up their mind if they actually love the person. So for teens and adults I tend to not find these insta-love situations not realistic or enjoyable, but for some reason I had next to no problem with Marius and Cosette and the 2012 Les Miserables film. Now, I will acknowledge that I have heard that in the book they have more of a relationship, but I have actually not read the book. I did, however, see the 1998 film, which doesn’t include as much of the story as the 2012 film, but somehow better develops Marius and Cosette’s relationship, so maybe that helped me not be as prejudiced towards it. Who knows, maybe it’s because they sing the entire movie and I just accept everything because it was so beautifully done. I can’t think of any good examples from books where I really accepted it. Does anyone else have one?

marius

5. Unrequited Love

jo&laurie

Laurie for Jo, Gale for Katniss, Rudy for Liesel, Harriet for Mr. Elton, Eponine for Marius, the list goes on… these are the stingers, when someone loves somebody and they just don’t love them back. It makes our soul ache, especially when we would have loved to see them as a couple. Or sometimes you know they wouldn’t be a good couple and you’re relieved! But you still probably feel at least a little bad. There are also a couple of great and tragic examples of this from the show Babylon 5 that I really want to share, but I don’t want to spoil the show, so just go watch all five seasons and then we’ll chat about it. Instead, I leave you with a quote from the show…

“All love is unrequited, Stephen. All of it.” (Susan Ivanova, Babylon 5)

What type of love relationships are your favorite to see in stories? What are you tired of seeing? What other love relationship types from stories can you think of?