TV | Amy C. Shaw

Review: Almost Human, Season One

March 16, 2014 • 4 Comments

In a not-so-distant future, human cops and androids partner up to protect and serve. – from IMDB

Almost Human is a sci-fi show that just finished up its first season on Fox with a 13 episode run, and I am hoping and crossing all my fingers and toes that it won’t be the last season, but with it being on the bubble, I am aware of the unfortunate possibility. I just want MORE! More of these great characters, more of this interesting world with its developing technology, and more of the hinted at story arcs. Why did Valerie, a genetically engineered “Chrome” decide to become a cop? What makes Dorian so much more special than all the other DRN models that Captain Maldonado reactivated him for duty to work with Kennex? What happened with Anna and why is she listening in on Kennex? And what in the world is on the other side of The Wall?! Why is it there in the first place? I need to know!

If I had to describe Almost Human in my own words, I would say it’s a detective bromance set in a future where crimes evolve with the technology and the lines between man and android are sometimes blurred. Karl Urban, starring as the main character John Kennex, is perfect in his role. If you love Dr. McCoy from the new Star Trek movies (and seriously, who doesn’t?!)…

Then you’ll love Kennex…

And Michael Ealy is perfectly paired with Urban as his android partner who has been programmed with “synthetic soul,” which makes him more human than the more generic models of androids. He is always delivering perfectly-timed quips and enjoys giving Kennex a hard time, and he also has more serious moments when he reflects on humanity in ways that Kennex cannot.

I enjoyed the rest of the main cast as well, and in 13 episodes, we definitely did not get enough of them. I want to learn more about each of their characters, and all the actors/actresses, in addition to the great writing, are responsible for that.

AH-secondarycast — Minka Kelly/ Mackenzie Crook/ Lili Taylor

I can see the reasons why Almost Human may not have gained popularity, despite how much I truly enjoyed it. For starters, it can’t seem to decide if it wants to episodic or serial, which can be frustrating for people who prefer one sort of show over the other. Each week there is a new case, but there are also several mentions sprinkled in that hint at an overall storyline or, even more frustratingly, seem super important and make you think it will be addressed in the next episode, but then it’s not. Because of this, audiences who learned not to rely on these supposed important plot points may not make an effort to tune in every week, and then those who prefer the episodic nature might still do the same, because they’re not looking for a week-to-week story arc.

What was also super frustrating was that Fox decided to air the episodes out of order, so one week Kennex and Dorian would be buddy-buddy, and the next week Kennex would be ready to throw Dorian out of the window from frustration. The development of the characters and the story did not make much sense in the order the episodes were shown.

There’s also the fact that it was just not given enough time for word to properly get around about the show. Those who love Fringe (which by the way, I think spent its first season with some of the same struggles as Almost Human, but then found its feet and improved) and similar shows would really enjoy Almost Human, and they just may not have discovered it yet. Perhaps it is a niche target audience, but I think there are people who would like it who might not think to seek it out. Words like “sci-fi” and “androids” may make the show seem heady or out there, but the show really is about being human. And can’t we all relate to that?

One of my favorite episodes, “Perception,” was ultimately about a teen girl trying to live up to her mother’s potential, and how far someone is willing to go for the vindication of someone they love. There might be talk of genetically engineered humans and printed drugs in the process, but ultimately, the story is about people.

The season finale was not dramatic, it did not raise many more questions, and there was not a cliffhanger. They left the Kennex-Dorian relationship in a satisfying place, I think in case that if this was it, at least their relationship would have closure. But there is still so much left to be explored.

I really believe in the potential of this show. I hope Fox will too. I want more Almost Human!

Did you watch the first season of Almost Human? What were your thoughts on it?

Review: I Spy, Season Two

March 10, 2014 • 4 Comments

See my review for I Spy, Season One here. I Spy is an action-adventure TV series from the 196os that focuses on Alexander “Scotty” Scott (played by Bill Cosby) and Kelly Robinson (played by Robert Culp), who pose as a tennis player and his trainer, but are actually secret agents for the U.S. government.

What I love about season two of the show is that the characters are already established, as well as their friendship, so we dive right into new stories with the two. I felt there was a more diverse range of locations this season, from Italy to California to Spain. Kelly’s still picking up women left and right, but he’s also smoking a lot more, and Scotty’s about as straight-laced as ever, though he gets to loosen up some this season. I also found the season to be overall more political, espousing American ideals and speaking out against Communism quite a bit. There is a blend of serious episodes with more fun, romp-like episodes, and while I have a lot of appreciation for the serious ones (minus the ones that the late Robert Culp wrote, because with all due respect to him, they weren’t that great), I generally preferred the fun ones (unless they were trying to be fun and then weren’t, particularly an episode involving an Italian boy named Gino…).

Episode Stand-Outs

The first episode I enjoyed a lot was “One of Our Bombs Is Missing,” in which Kelly and Scotty have to recover an A-bomb from an American military aircraft that crashed in Italy. There was a colorful cast of side characters that made this one enjoyable, including a man trying to hook Kelly up with his daughter (who he insists is a very good cook) and a priest.

One episode where I found the premise intriguing and would like to see done in a more modern way was “Father Abraham.” A very young rocket scientist has volunteered to be tortured and give false information to some bad guys (probably Russian Communists, but I don’t remember for certain) all to win the approval of his father. Part of me found it far-fetched, and yet, it really was intriguing because the character himself was an enigma to me, and I don’t know how to explain why. I suppose because he seemed so young, early to mid-twenties, and was a fairly attractive guy who could probably find a lady to settle down with and live a normal life, but he chose this whole other, dangerous path. I think it could be a great movie or book, and that it could expound so much more than this episode could.

“Child Out of Time” was interesting in that is focuses on an extremely bright girl who ends up an orphan. With this episode, I found her character more interesting than the actual story. She kept these secrets that her mother had memorized, valuable information that many people wanted, but once that’s given away, there’s nothing left for her except to go live with some nuns. She was the sort of character that I wanted to know more about (like the guy from the aforementioned episode), and it would be interesting to find out how she was doing ten years later. She formed a sweet friendship with Scotty, and I really hope he kept in touch with her.

The last one I really enjoyed was “Night Train to Madrid,” a story that feels like an Agatha Christie novel, yet is almost light-hearted in some ways. It was definitely a good murder mystery story, and it almost entirely takes place on a night train ride.

Groundbreaking For Its Time

As I mentioned in my season one review, this series was groundbreaking for the time, with some really great on-location shots, political commentary, and a black man and a white man working together as equals on screen (and that black man, Bill Cosby, won 3 Emmy awards for his 3 years on the show). I have to say that this show and Star Trek both did a lot for 1960s television.

But Not Perfect…

Unfortunately, women were a bit objectified at times in the series, especially in the two episodes Culp wrote for the season. Most of the girls were air-headed and willing to abandon everything for a man, or pig-headed but still willing to abandon everything for a man who completely disagrees with their philosophy. Thankfully, they weren’t all that way and some were actually very capable and not annoying.

Also, sometimes I am amazed by how incompetent Kelly and Scotty can be, getting captured, people figure out who they really are, or them not being armed when really, they should be at all times. But there are also times they are completely competent and get the job done!

And Speaking of Star Trek (as I was, uh, a paragraph ago)…

There are several Star Trek actors that made an appearance in this season of I Spy, from Walter Koenig (you may know him as Chekov) to Ricardo Montalban (who you may as the original KHAN!!!!) to Salmone Jens (who was an awesome character in I Spy, but less so as the Female Changeling in Deep Space Nine). There are others (mostly people who played much smaller roles in Star Trek), and it was always fun to discover someone from Star Trek on I Spy. Oh, and Opie Taylor made an appearance too (not from Star Trek, but whateves)!

Overall, it was good, and though there were a few clunkers, it was a stronger season than the first. My husband and I hope to be able to get a hold of season three sometime, but unfortunately for some reason it’s a bit pricier than the other two. I’d give I Spy season two 3.5 stars.

It’s definitely worth checking out, especially if you’re a fan of spy stuff and/or Bill Cosby’s work.

Anyone else a fan of I Spy?

Fringe Series Overview

January 11, 2014 • 9 Comments

After watching all five seasons Fringe starting last summer and going through December, I can say without a doubt I am a fan. I was evangelizing the show even when I was only in the first season, believing so much in the potential it showed. And it met most of that potential. I will have to say that despite how much I love this show overall, that other than the absolutely perfect emotional closure I got in the series finale, the show never quite gave me everything I wanted from it. But it did give me a lot. Since the show is so unique, I wanted to focus on some on the aspects of the show that really stood out, as well as favorite characters and episodes.

There are spoilers sprinkled throughout, SO what you will see is SPOILER the spoiler written in white that you can highlight if you’ve seen all of the show and then END SPOILER. Everything else is CLEAR to read!

Favorite Episodes by Season

Season One

While watching the series, my favorite episode of Season One hands-down was “Bad Dreams.” I just found the story fascinating, I loved meeting another Cortexiphan kid, and it would definitely still have to be my favorite case-of-the-week episode from the first season. But if I look back at the series as a whole, it would probably be one of the more mythological episodes, but I won’t know for sure until I re-watch. But here are some possibilities/runner-up favorites: “The Arrival,” “In Which We Meet Mr. Jones,” “The Equation,” “Ability,” “Inner Child,” and “There’s More than One of Everything.” Overall, even though I did not give season 1 one of my two 4.5 star rankings (I mostly gave it 4 stars because I didn’t think the John Scott storyline was handled well after the pilot), I think I would consider it my second favorite season.

Season Two

When I looked back at all the episodes from Season Two, it was clear to me it was my favorite season of the series. I think season two was the closest to being exactly what I wanted Fringe to be. My absolute favorite is “White Tulip” for all its wonderful symbolism, but I have several other episodes I love a lot too: “Dream Logic,” “August,” “Jacksonville,” “Peter,” “Northwest Passage.” and “Over There (Part Two).” Also extremely noteworthy: “A New Day in the Old Town” and “Brown Betty.”

Season Three

Season Three is a strong season for the mythology of the show and for the character development, but it stressed me out and aggravated me SO FREAKING MUCH! Because of this, it was a little harder for me to determine a favorite episode, but I think I’ll go with the finale, “The Day We Died,” because it was so intriguing. Some other episodes I liked: “The Abducted,” “Entrada,” “Subject 13,” and “Bloodline.”

Season Four

This season was another frustrating one for me that I honestly think I could only bear because of my unbounding love for Lincoln Lee. Every other character was just acting so frustrating with the SPOILER timeline reset affecting them END SPOILER! Overall, it might be my least favorite season, despite Lincoln Lee. My favorite episode is probably either “Everything in its Right Place” or “Letters of Transit,” and a couple others I liked pretty well were “Wallflower” and “Back to Where You’ve Never Been” (the former mostly because of MILD SPOILER cute Olivia-Lincoln moments). END MILD SPOILER

Season Five

Season Five was feeling pretty grim until the last five episodes, which I love all so much I just have to consider them a collective favorite: “Black Blotter,” “Anomaly XB-6783746,” “The Boy Must Live,” “Liberty,” and “An Enemy of Fate.” They finally delivered on what I had been waiting the entire season for!

Favorite Characters by Season

Season One: Peter

Season Two: Peter

Season Three: Olivia

Season Four: Lincoln

Season Five: SPOILER September/Donald END SPOILER

I loved me some Peter in the first two seasons, but he got really frustrating in season three. In hindsight, I also have to give some love to Charlie in the first season. In season three, with so much crap hitting the fan, I found the one person I was most concerned about and rooting for was Olivia, and she completely won me over as a favorite. In season four, all bets were off when Lincoln Lee arrived in his good guy glory. At that point, I wanted to stop watching regular Fringe and watch a Lincoln Lee spin-off show instead! And then in season five, as mentioned before was not a favorite season of mine, and so when we finally get to what I consider “the good stuff” and finally figure out the mystery with SPOILER where September is and that he is actually this mysterious guy Donald they have been looking for and that he has humanified and is now even more awesome than ever before!!! I was just so excited!!! END SPOILER.

When I look at the series as a whole, I think Walter definitely has to be the most intriguing character with the strongest arc, and John Noble did a crazy amazing job playing like 50 versions of the character (OK, maybe not 50, but I did lose count!) with just little nuances to separate them.

Characters that were definitely underutilized: Astrid sadly never really got to rise to the occasion, which I hated so much because Jasicka did a great job and she deserved more screen time. But the relationship between her and Walter, I loved. Their scene together in the finale made me cry.

I definitely would have liked more Charlie. And Gene the cow… duh. We always need more Gene.

The Glyphs

You know those symbols that come up for each commercial break (and are also sprinkled throughout the show as Easter eggs)? They’re there for a reason! If you’re a die-hard fan you already know, but for the uninitiated, these glyphs are part of a code. Each one stands for a letter, depending on both the symbol and the placement of the the yellow orb around it, and when you put the glyphs together for each episode, they spell out a word pertaining to either the current episode or foreshadowing something for the next episode. Sometimes they’re vague, sometimes they’re obvious, but they’re fun! If you’re going through the series, you can download the Fringe glyph add for iPhone or Android to crack the code every episode. I think this was a really unique twist to the show that just adds another layer of intrigue to it.

The Title Sequences

You know how most shows just have one basic title sequence that looks the same week after week, year after year? Not Fringe! They had several! Since everything after the initial blue sequence contains spoilers for plot points in the show, I made all of those white.

Blue Sequence: This is the first title sequence we get, which lists a plethora of fringe sciences, many of which would be included in the show.

Retro Sequence: For the two episodes set in 1985, “Peter” and “Subject 13,” where we learn more about Walter discovering the alternate universe and the immediate consequences, a retro-looking version of the Fringe title sequence rolled out the fringe sciences of yesteryear, many of which are now a reality.

Red Sequence: The red title sequence represents an episode that prominently takes place in the alternate universe, AKA the Redverse. In “Entrada,” we see a mix of the blue and red sequences as the two universes got more equal episode time. This sequence also includes what is considered fringe sciences in the Redverse.

Gray Sequence: The gray sequence was for the season 3 finale episode “The Day We Died,” in which we see a possible future where the Redverse has been destroyed and the Blueverse is on the brink of going down the same path. This sequence includes what is considered fringe sciences in this possible future timeline.

Amber Sequence: This was for season four, to indicate an altered timeline where Peter actually died as a boy. Most of the fringe sciences listed are not too unlike those from the initial sequence, though they are new words.

Future Sequence: This is the sequence for “Letters of Transit” and all of season 5, set in the future where the Observers have taken over. It’s scary to think that things like “private thought” are considered fringe in this future.

The Storylines & The Message

There were so many… where does one begin?! I will now get my biggest gripe about Fringe out there now, and that is that I think it had the tendency to bite off more than it could chew. Sometimes it tried to set something up, only for the “answer” to feel weak and incomplete (First People, Sam Weiss, Mr. X, John Scott, ZFT, etc.) or to not be followed through at all (Olivia’s stepfather, Big Eddie, Rachel and Ella, Etta on invasion day, etc.). And then there were things that they tried to build up as really epic (SPOILER Peter is completely erased from the timeline! END SPOILER) but then it turns out to not be nearly as big as we thought (SPOILER Well not so much erased but more like he died when he was a boy after all so you guys never knew him, but he’ll come back because love conquers all… END SPOILER). As much as I loved so many of the intriguing story arcs throughout the series, most of them honestly did not deliver as fully as I would have liked. In fact, entire seasons were dedicated to many of these plot points, and while they all ended on pretty high and mostly satisfactory notes, I was still left with more questions than answers.

But this series is very much about one thing, and it’s good to know this if you haven’t started watching yet: it’s about LOVE.

The love between a father and son. Between friends. Between lovers. Between a mother and daughter. It’s about how far you would go to save someone you love, or to be with them.

And it’s about humanity. This is something you’ll especially see as you get to the end of season five, that the show is asking questions about what makes us human. And that’s why it’s good sci-fi, a good show, and worth investing your time in it.

The characters are wonderfully flawed and quirky and intelligent and caring. And when the show’s over, you honestly feel like you’ve become disconnected from an amazing group of friends.

But don’t just take my word for it. Take Walter’s word for it. Watch Fringe…

And I still feel like I have only scratched the surface here! What about Massive Dynamic and Nina and Broyles and William Bell and Brandon and the shapeshifters and LSD and the Observers and everything else?! There’s just so much!!!

May I also recommend The Fringe Podcast as a supplement to your watching? It’s wonderfully fun, informative, and insightful. My experience would not have been the same without it.

Also see: Fringe reviews for seasons 1, 2, 3, 4, and 5.

Are you a future Fringe fan or a current one? (There are no other options, BTW.) Tell me what you love about the show or what about it has piqued your interest!

Review: Fringe Season Five

December 30, 2013 • 7 Comments

I can’t believe it’s over. That I finished Fringe and have seen all that there is to be seen of the dynamic team of Olivia, Peter, and Walter. I’ll admit, I was slugging through this last season, only 13 episodes long. Maybe because it was accepting the end, maybe it was because I was watching TV shows live again (mostly that), but there was also the fact that for quite a while, I wasn’t motivated to watch season 5 because I felt sort of meh about it. Thankfully, the last few episodes and the finale finally delivered. WARNING: Don’t read further if you haven’t watched the series. THERE ARE SPOILERS BELOW!

So this is how season four ended…

I knew that the season 4 episode “Letters of Transit” was a glimpse into the future world that we would be visiting for season 5, so September’s words were certainly ominous. The Observers were coming, but why were they going to be so evil? September seems pretty nice! I was curious to find out, but cautiously optimistic. The world portrayed in “Letters of Transit” was quite grim, after all. And that definitely did not stop once season 5 got kicked off. The Fringe team, having been trapped in amber for 20 years, is reunited thanks to Etta, Peter and Olivia’s now grown daughter who they lost the day the Observers invaded.

Rant #1: Peter and Olivia spend a lot of time asking each other, “What happened to Etta that day? Where did she go?” BUT THEY NEVER ASK HER! At least, not on-screen, and they should have, because I wanted to know too! Obviously someone raised her, and she was raised as such that she came to hate the Observers/Invaders and joined the Resistance. But we NEVER find out what happened to her!

Walter hid tapes in the ambered Harvard Lab that would reveal the details of the plan to defeat the Observers. The Fringe team must retrieve, watch, and follow these tapes to the letter. So for several episodes, they are basically on a scavenger hunt with a vague objective in mind, meanwhile Peter and Olivia struggle with their relationship and with how to relate to the daughter they barely knew.

I never felt the connection to Etta that I wanted. When she died, I was sad, but I wasn’t devastated, and in fact, I felt that the story really picked up after she died. I guess her death was motivation to help the Fringe team stop their lollygagging around, but still, I think I was supposed to be more emotionally connected. I mean, there were definitely some nice moments between Olivia and Etta, but there could have been more, or at least stronger, moments. Though the running theme with the bullet was poignant.

Rant #2: For a 13 episode season that was described by the show’s producers as being essentially “one long movie,” it has terrible pacing.

The first episode that I think REALLY piqued my interest a lot was episode 6, “Through the Looking Glass and What Walter Found There,” the episode where we learn that the boy from the season one episode “Inner Child” is an important part of the plan and the Fringe team travels to a “pocket universe” to retrieve him, but instead end up with a radio. Then I felt the story lagged for another couple of episodes (though there are some nice moments in “The Human Kind”) where we have to deal with

Rant #3: the Peter-becoming-an-Observer-and-it-is-really-dangerous-and-scary-but-the-only-after-effects-from-it-are-a-couple-bad-headaches subplot,

until “Black Blotter.” That’s when, despite Walter’s LSD trip induced state of mind that provided some unnecessary weirdness (along with a very necessary emotional check-up of Walter’s subconscious), we finally seemed to move forward with the story. They get the boy! They call him Michael! He’s an Observer anomaly who was never fully matured and was set to be destroyed! They find Donald! AND DONALD, AKA SEPTEMBER WHO IS UNOBSERVERFIED AND HAS HAIR NOW, IS HIS FATHER!

donald-sept-michael — Michael, I am your father…

Needless to say, “Black Blotter” through the end of the season easily get 4.99 stars for me for being so awesome and emotionally satisfying.

Speaking of emotionally satisfying, “Liberty” brought the Redverse back briefly (which I hated so freaking much in season 3 but thanks to season 4 did not hate anymore…) and just look how cute Fauxlivia and Lincoln are!

I’m so glad I got to see Lincoln Lee one more time.

So the finale. It tied up all the loose-ends from season 5 (except I’m dying to know what happened to William Bell. Was he left in amber without a hand? Or did the Observers get him out when they got Simon? If so, what happened? Was he interrogated? Is he running around ready to cause havoc to the timeline all over again?). It did not tie up all the storylines and questions from throughout the series though, which I sensed would be the case basically from the first episode of season 5, when the focus was clearly not on the past. So while I’m disappointed I will never fully understand the deal with ZFT, The First People, Sam Weiss (though I was glad he was at least alluded to this season), John Scott, Olivia’s stepfather, and more, it wasn’t disappointing enough to say that the finale wasn’t the right ending for the series, because it was.

My first reaction to the timeline reset: I wasn’t surprised. I had expected as much, especially thanks to The Fringe Podcast I listened to along the way where they theorized this frequently. But I kept thinking that a reset in the park didn’t make sense if the Observers ceased to exist, and that the timeline change for our Fringe team members would have to start in 1985 with September not showing up in the lab to distract Walternate. And then that would change EVERYTHING and invalidate THE ENTIRE SERIES (of course, only the fourth season really means anything now, though I am SO GLAD that Walter got the memories Peter and Olivia have of seasons 1-3, even if it all still seems convoluted to me). But also thanks to The Fringe Podcast, I heard some different ideas of how this might work and some explanations of time paradoxes and such, but it’s all too much for my brain to truly comprehend.

But there the very final moment made it all worth it for me.

“White Tulip” is easily one of my favorite episodes of all of Fringe, and how the writers used the symbol throughout the show and then tied it all back in the end was just WOW. It was the most fitting, perfect, beautiful ending Fringe could have given me.

Random Star Trek: Enterprise Rant: Brannon and Braga and Rick Berman: I hope you watched Fringe and took notes.

Season 5 was not perfect. It needed more Astrid. It needed better pacing. It needed more answers about Etta. But the finale did deliver and while it did not do everything I wanted for the series, I think it probably did everything I needed, and I can’t really imagine it being any other way.

fringe-walter-astrid-gene — Though I can’t deny I was hoping for a little bit more with Gene…

What were your thoughts on Season 5 of Fringe? Also, I’ll be doing a recap post of the entire series sometime in the next couple of weeks, so stay tuned, Fringies!

Science Fiction World Building

November 22, 2013 • 16 Comments

In science fiction, the story sometimes takes place on a world or galaxy we don’t know. Other times, it takes place on our world (or includes our world), but it’s set in the future and the rules have changed. Either way though, the building of the world for a good science fiction story is key.

To create a world or galaxy from scratch, like George Lucas did with Star Wars, is pretty amazing. I remember when Episode I came out, and I got one of those picture encyclopedia things about the movie. I was fascinated to learn that Amidala’s hairstyle, clothing, makeup, all stood for something in her culture. It wasn’t just random, but there was this whole other story behind what she wore and the rituals she performed. I didn’t know it yet, but I was intrigued by world building.

Some stories that use our world also create new worlds and alien species, such as Star Trek, Babylon 5, and Ender’s Game. Sometimes they choose to focus on one other species, like Ender’s Game, and in this case, they are viewed as an enemy. In Babylon 5, there are more species, and a handful of them are ones Earth has made peace with, though unfortunately there was war before peace when it came to some, and still quarrels within the alliance they have formed. And then with Star Trek the number of species out there seems as infinite as the galaxy, from the Klingons to the Vulcans to the Cardassians to the Breen to the Xindi, some who are friends, some who are foes, some who have played as both.

The Xindi are especially unique because they have five different species within their own kind.

But there’s more to the world building than the aliens, of course. They create Earth histories that gap the period of time between now and then, and these gaps always seem to include wars. World War III is a common one to be seen, but there’s also wars between us and aliens, and then one that I find particularly fascinating in the Star Trek universe: the Eugenics War. Which if you think you know about Khan from Into Darkness, check out The Original Series’ episode “Space Seed” and the movie Star Trek II: The Wrath of Khan to learn more about his past and his involvement with said war.

Then there are the stories that feel closer to our time and that take place on Earth, but society has changed. The Island and Gattaca are two great movies (that will be discussed in more detail in a future post) that answer “what if” questions. Fringe focuses on strange things happening in our current world, and leads both the characters on the show and us to believe that there could be a lot more to what’s possible in our world than what we think of on the surface.

fringe-lab-work — Some creepy creature the Fringe team found.

Then there’s Firefly, which doesn’t focus on aliens but humans, but they travel in space and have been spread across the galaxy, and war has separated people to either side with the Alliance or with the Browncoats. The story has a Wild West in space feel to it and Chinese and American cultures, as the only superpowers left, have blended, which also adds an interesting element to the world of the show.

Another great thing about science fiction is the technology. It can play a significant role in the world of the story, and even influence the technology of our world Who doesn’t want a lightsaber or wish they could just teleport to their destination? Star Trek, and I’m sure other science fiction stories as well, have actually influenced our progression of technology, which I think is awesome.

But I feel all this barely scratches the surface on world building elements, as well as the great worlds seen, in science fiction stories. So I ask you: What science fiction story’s world building has captured your attention the most? What elements of world building in science fiction do you particularly enjoy seeing?

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