Category Archives: Writing

Character Consistency in Stories

I was listening to a podcast review of Star Trek: Into Darkness and I was a little surprised to hear some of the people on the show say they felt some of the characters were inconsistent from who they were in the 2009 film.  Likewise, I have also heard some complain that Tony Stark was inconsistent in Iron Man 3 compared to how he was before.

I disagree with both of these viewpoints, but it did get me to thinking about consistency in characters in stories (primarily from movie to movie). Just when is the character experiencing a natural change in their arc, and when is it just out of character? Personally, I found Elizabeth and Will wildly inconsistent in the second and third Pirates of the Caribbean movies as to who they were in the first one. But I know people who disagree. Why do some of us accept certain character changes and some of us not?

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Bones contemplates this for us…

The Consistency of the Story

I think part of it is how you view the story overall. For instance, I thought the second POTC movie was a ridiculous rehash of jokes from the first and that the third movie got way too serious. The first story was such a fun romp and I felt the next two films deviated from what made the first one so good. Since I did not enjoy the plots of the story and the twists that were happening, I felt that the characters themselves were taking actions that were not consistent with how I viewed them in the first movie.

In the 2009 Star Trek film, Kirk is cocky and confident, much like Tony Stark is in Iron Man, Iron Man 2, and The Avengers. With Tony, I think we start to see him change in The Avengers, when he makes the decision to sacrifice himself (though ultimately he makes it out fine) to save all the others. In Iron Man 3, he is wrestling with what he experienced in that moment: being worried about Pepper, shocked by the fact that aliens are real, etc. I could see the thread of what happened. And he still certainly had plenty of Tony Stark moments.

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With the Star Trek films, I admit it’s not as clear cut. At the end of 2009, Kirk gets the Captain’s chair at an extremely young age and with virtually no experience. In Into Darkness, he appears to be much the same, taking big risks with the belief that it will always work out fine. He gets lectured that it won’t always be fine, but none of that means much until he (SPOILERS for the rest of this paragraph) sees Pike die. Pike is like a father to Kirk, so his death really rocks his world. He wants to hunt down the man responsible, but he also has to learn what risks are necessary and which ones are not. It’s hard to fit so much change in a two hour film without it feeling too forced, but at the end Kirk makes a decision like Tony does. Maybe there could have been better ways to develop these two plot lines, but for me, they were fine. But I also embraced the entirety of their stories.

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If a story is filled with plot holes and weird twists that no one believes, people are not likely to buy into what the character is doing either.

The Consistency of Voice

I was listening to another podcast called “Writing Excuses” (what can I say, I’m a podcast junkie), and in a recent episode they were discussing why the writing in The Avengers worked so well. One of the main things they praised about the movies was the consistent character voice, and for ALL the characters! But they said there were even a couple of times that the voice was not consistent but it was so well-played it didn’t matter. The big example of this was with Thor’s line about Loki being adopted. They said it was OK with them, even though it didn’t sound like something Thor would say, because the joke was perfect, it needed to be shared, and Thor had to be the one to deliver it.

I think this goes with the next point…

The Consistency in Tone

I think the example of Pirates of the Caribbean works well for this. I did not feel the tone of the second and third movies were not consistent with the first. And going back to The Avengers, though Thor’s joke was not consistent with his individual character voice, it was consistent with the tone of the movie and the dialogue in general.

This might be why some struggle with Iron Man 3 or Into Darkness, because both movies are a little darker than their predecessors. I personally do not find them to be such large departures, and I find the overall tones still consistent, but there is some change. I mean, among Iron Man, Iron Man 2, The Avengers, and Iron Man 3, there are three different directors at work. But tone can change as the characters grow, it’s just a matter of balancing the change tone, character, and story in a way that is believable and trying to stay consistent in voice and other areas.

The Consistency in Back Story

It is extremely important for writers to remember what they (or other writers working on previous projects before them) have written about a character. Likewise, it’s important for the character to have actions that match up with their personal back story. Sometimes the writer may not know the back story for the character until a lot about the character has been written, but as long as it matches with the character’s behavior, that is fine. Kirk from the J.J.-verse is different from Roddenberry’s Kirk. This Kirk lost his father and thus grew up in a very different household. He had the same mother and he still lived in Iowa, but one major difference completely changed the way he was living his life. So when the 2009 and Into Darkness Kirk is more immature and more reckless than the original Kirk, it makes sense, because he didn’t have the same strong father figure.

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When there’s a disconnect between a character’s past and their present, without a middle that connects the change between the two (which would be more backs story we would need), we find the whole character unbelievable.

But no matter how hard a writer tries to balance all of these things, not everyone is going to agree on what works and what doesn’t work. It is the nature of art.

What do you think? Who are characters that you believe show great consistency throughout their story arc? Who are some characters that you feel do not?

Feeling Stuck, Or: I Hate Rewriting

Writing is fun. Rewriting is not.

Editing, which is fine-tuning what you have, can be OK. But that’s not where I am not yet. Rewriting is changing things within your story that you think may have not been working too well. And it really, really stinks. And that’s exactly where I am now.

November 2011 I decided to write a short story. It turned into a novella. Then I turned it into a  novel, the first in a series, to combine it with two other story ideas I had. I was pretty happy with my first draft of the novel version and moved on to the next story, book two of the series. I finished it and realized even though it wasn’t perfect, it was a lot better than the previous. Then I was attempting to write the third, but I felt really stuck. I didn’t know how to move forward at all. The second story laid some good groundwork, but I felt there needed to be more from the first book. And I knew there were some other things there that needed to be changed. So I decided to go back and rewrite the first book. That’s what I’ve been attempting to do for the past few weeks now.

And already I feel so completely stuck.

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I have an idea of where I want to go with it, but I don’t have all the plot points detailed out like I did when I decided to expand the novella to a novel (I think it helped that I was reading Plot and Structure by James Scott Bell at the time, which by the way, I found to be extremely helpful and would recommend). So I suppose I ought to sit down and do that first, and then go from there. I have just spent the past two weeks or so feeling sort of scatterbrained, and everyday I do at least one thing that feels like a total fail. For example, several days ago the first thing I did when I got out of bed was walk right into a door. And then just a day or two later, I hit a curb on a curve really hard and it killed my tire. Needless to say, I have not been in tip-top shape lately. I also feel like I am laboring over my current read, Unbroken. It is a fantastic story, but it is a really hard read that gives you a very detailed look at life inside Japanese POW camps during WWII. It’s wearing and I’m ready for it to be over, as if I was living it. But the good news is, I have finally reached the point where the war is over, so hopefully it only gets better from there.

I may also go back to the third story, plot it out, then work on writing it before I go back to the first book. But sigh… I don’t know. Mostly, I think I may need a break from this particular universe. I feel bad ever abandoning a story I have been working on so much, and I feel like I need to see it through to the end, otherwise it will end up like the 50 million (OK, closer to just 50) partial stories I have written. But I have a goal I really want to see through, so I think I will come back before too long. I just need to be excited about it again.

Any other writers suffer from the rut of rewriting? What do you do? Any advice, even from non-writers, is appreciated!

Embarrassed About Accomplishment?

It’s amazing to me how we, as people, generally tend to be. We pride ourselves as experts in world politics, parenting, fashion, you name it, but when we receive a compliment or an accolade, most of us feel suddenly humbled or even downright shy.

“It wasn’t much, really.”

“I don’t really deserve this.”

“Well, it wasn’t that hard.”

What’s also difficult is when you achieve a personal accomplishment, and you think to yourself: This is so awesome! I want someone to know! Not so that they’ll be impressed… I mean it’s not the most awesome thing ever… but I just want someone besides me to know. But I don’t want to seem like I’m proud or bragging… 

So here is…

The other day, after three and a half months, I basically completed a 76,000+ word novel. This was after spending a year writing a 67,000+ word novel. That was after spending ten years writing a 46,000+ word novel. Do you understand the strides I’m making here?

But again, I don’t want to be braggy (I honestly don’t), so this is the part where I downplay everything.

It’s not like it’s Pulitzer winning material or the next Harry Potter. All three of my stories need a TON of work before I even think about self-publishing or sending it off to someone to publish. 

I’m trying to balance all these thoughts. It’s good that I realize I haven’t mastered the craft of writing yet and I still have A LOT to learn. It’s good that I recognize that the first draft is no where near the last. And it’s good that I’m not already promoting my young adult dystopia series with a Facebook  page as I send this off to the fastest self-publishing company out there. (Which would be dumb for more many reasons, but especially since there are actually still some parts that I have highlighted yellow in Word because I plan to change them but haven’t yet, but have otherwise finished the story.)

But I don’t have to be embarrassed or afraid to say, “Hey, I’m super excited because I wrote over 75,000 words in less than four months and I have never, ever, ever done that before.”

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When I posted this on Instagram the other day I was excited to surpass the last novel. I didn’t know yet that I was going to make it up to 76,000.

By the way, this did not come easily. When I started this novel in November (since – full disclosure – there were some bits and pieces of it that had been written out before and I had a lot better grasp on this particular story line than I did for the previous novel) I had a goal to finish both it and the next one in my series by the end of 2013. I put a lot of time into writing these last three and a half months. I know the next book will not be quite as fast, but I do hope I can get it done by the end of the year. And when I am ready to revise all these stories, I will certainly be more focused on the quality than the quantity. But before I could revise it to perfection (or as close to it as I can get), I had to write something. And lately, I’ve gotten much further along in writing something than I would have believed four years ago.

What are you hoping to accomplish, or have you accomplished, that excites you but also makes you feel a little sheepish?