Tag Archives: movies

Character Consistency in Stories

I was listening to a podcast review of Star Trek: Into Darkness and I was a little surprised to hear some of the people on the show say they felt some of the characters were inconsistent from who they were in the 2009 film.  Likewise, I have also heard some complain that Tony Stark was inconsistent in Iron Man 3 compared to how he was before.

I disagree with both of these viewpoints, but it did get me to thinking about consistency in characters in stories (primarily from movie to movie). Just when is the character experiencing a natural change in their arc, and when is it just out of character? Personally, I found Elizabeth and Will wildly inconsistent in the second and third Pirates of the Caribbean movies as to who they were in the first one. But I know people who disagree. Why do some of us accept certain character changes and some of us not?

bonesx2
Bones contemplates this for us…

The Consistency of the Story

I think part of it is how you view the story overall. For instance, I thought the second POTC movie was a ridiculous rehash of jokes from the first and that the third movie got way too serious. The first story was such a fun romp and I felt the next two films deviated from what made the first one so good. Since I did not enjoy the plots of the story and the twists that were happening, I felt that the characters themselves were taking actions that were not consistent with how I viewed them in the first movie.

In the 2009 Star Trek film, Kirk is cocky and confident, much like Tony Stark is in Iron Man, Iron Man 2, and The Avengers. With Tony, I think we start to see him change in The Avengers, when he makes the decision to sacrifice himself (though ultimately he makes it out fine) to save all the others. In Iron Man 3, he is wrestling with what he experienced in that moment: being worried about Pepper, shocked by the fact that aliens are real, etc. I could see the thread of what happened. And he still certainly had plenty of Tony Stark moments.

tony&harley

With the Star Trek films, I admit it’s not as clear cut. At the end of 2009, Kirk gets the Captain’s chair at an extremely young age and with virtually no experience. In Into Darkness, he appears to be much the same, taking big risks with the belief that it will always work out fine. He gets lectured that it won’t always be fine, but none of that means much until he (SPOILERS for the rest of this paragraph) sees Pike die. Pike is like a father to Kirk, so his death really rocks his world. He wants to hunt down the man responsible, but he also has to learn what risks are necessary and which ones are not. It’s hard to fit so much change in a two hour film without it feeling too forced, but at the end Kirk makes a decision like Tony does. Maybe there could have been better ways to develop these two plot lines, but for me, they were fine. But I also embraced the entirety of their stories.

spock-kirk-glass

If a story is filled with plot holes and weird twists that no one believes, people are not likely to buy into what the character is doing either.

The Consistency of Voice

I was listening to another podcast called “Writing Excuses” (what can I say, I’m a podcast junkie), and in a recent episode they were discussing why the writing in The Avengers worked so well. One of the main things they praised about the movies was the consistent character voice, and for ALL the characters! But they said there were even a couple of times that the voice was not consistent but it was so well-played it didn’t matter. The big example of this was with Thor’s line about Loki being adopted. They said it was OK with them, even though it didn’t sound like something Thor would say, because the joke was perfect, it needed to be shared, and Thor had to be the one to deliver it.

I think this goes with the next point…

The Consistency in Tone

I think the example of Pirates of the Caribbean works well for this. I did not feel the tone of the second and third movies were not consistent with the first. And going back to The Avengers, though Thor’s joke was not consistent with his individual character voice, it was consistent with the tone of the movie and the dialogue in general.

This might be why some struggle with Iron Man 3 or Into Darkness, because both movies are a little darker than their predecessors. I personally do not find them to be such large departures, and I find the overall tones still consistent, but there is some change. I mean, among Iron Man, Iron Man 2, The Avengers, and Iron Man 3, there are three different directors at work. But tone can change as the characters grow, it’s just a matter of balancing the change tone, character, and story in a way that is believable and trying to stay consistent in voice and other areas.

The Consistency in Back Story

It is extremely important for writers to remember what they (or other writers working on previous projects before them) have written about a character. Likewise, it’s important for the character to have actions that match up with their personal back story. Sometimes the writer may not know the back story for the character until a lot about the character has been written, but as long as it matches with the character’s behavior, that is fine. Kirk from the J.J.-verse is different from Roddenberry’s Kirk. This Kirk lost his father and thus grew up in a very different household. He had the same mother and he still lived in Iowa, but one major difference completely changed the way he was living his life. So when the 2009 and Into Darkness Kirk is more immature and more reckless than the original Kirk, it makes sense, because he didn’t have the same strong father figure.

kirk-car

When there’s a disconnect between a character’s past and their present, without a middle that connects the change between the two (which would be more backs story we would need), we find the whole character unbelievable.

But no matter how hard a writer tries to balance all of these things, not everyone is going to agree on what works and what doesn’t work. It is the nature of art.

What do you think? Who are characters that you believe show great consistency throughout their story arc? Who are some characters that you feel do not?

Why Rebecca Needs to be Readapted

For the first time I am participating in Awesome Adaptations hosted by Picture Me Reading. Every week there is a new category to explore great adaptations of books to film. This week’s category is “Another Awesome Novel That Needs To Be Adapted.” After doing a lot of thinking, however, I wanted to focus on a novel that was adapted to the screen several years ago, but that I think could use a re-do, is the classic novel Rebecca.

rebecca-book&movieI read it in high school and probably need to re-read it, but I remember enjoying the suspense of it. Alfred Hitchcock adapted the book to a movie in 1940, and it was pretty good, as Hitchcock’s works typically are, but I think it is one of the few Hitchcock films that would benefit from a makeover by a more modern filmmaker (because I firmly believe that you just can’t duplicate Psycho or Rear Window). Here’s the synopsis from the IMDB movie pageWhen a naive young woman marries a rich widower and settles in his gigantic mansion, she finds the memory of the first wife maintaining a grip on her husband and the servants. So who would star in this version of Rebecca?

dewinters2Emma Stone and Jude Law, pictured above next to the originals just for comparison’s sake. The age gap between the wealthy widower Mr. and the young, naive Mrs. de Winter is supposed to be noticeable, and I believe the age difference between Jude Law and Emma Stone of 14 years feels about right for the story.

I think a director with a knack for suspense ought to be the one at the head of the project, but I have not decided who I would choose. I mulled over a few possibilities but I’m still not sure, as I don’t know what modern-day film to equate to the likes of Rebecca would be. Who do you think would be a great director for this film? And…

What do you think of a Rebecca re-adaptation? Which book are you most interested in seeing becoming adapted to film? 

5 Types of Love Relationships in Stories

I was trying to think of how many different ways a (romantic) love relationship in a story can be packaged, and what was most commonly seen in stories. Though I know there are more than five approaches (I found a blog post that listed 13, though some overlap with my list), here are five that came to my mind:

1. Young Love

Peeta-and-KatnissThis is an affection that starts when the characters are young, like Peeta was five when he first noticed Katniss,  or like Rudy’s care for Liesel in The Book Thief. I don’t think a real, devoted love can actually start when one is five, but then again, I don’t know what the magic age would be. However, I still find this premise very cute in general.

“Well Peeta, we know, from our days in the cave, that it was love at first sight for you from what, age five?” Caesar says.

“From the moment I laid eyes on her,” says Peeta. (The Hunger Games)

2. Friendship That Turns Into Love

emma&knightleyI also love it when two friends in a story, especially if they’re best friends or childhood friends (again going somewhat with the idea of young love) fall in love. I think a classic example of this is Emma and Knightley in Emma. They’ve known each other for most all their lives, but it takes time for both of them to both fall in love and to realize it.

It darted through her with the speed of an arrow that Mr. Knightley must marry no one but herself! (Emma)

3. Resistant Love

DarcyLizzy

Jane Austen also made this a classic love relationship found in stories with Mr. Darcy and Elizabeth in Pride and Prejudice, as well as with Marianne and Colonel Brandon in Sense and Sensibility. I also enjoy this type of story because it creates such great tension. I was going to call this “antagonistic love,” but sometimes you can be friends with someone and still resist the thought of being with them for one reason or another.

“From the very beginning— from the first moment, I may almost say— of my acquaintance with you, your manners, impressing me with the fullest belief of your arrogance, your conceit, and your selfish disdain of the feelings of others, were such as to form the groundwork of disapprobation on which succeeding events have built so immovable a dislike; and I had not known you a month before I felt that you were the last man in the world whom I could ever be prevailed on to marry.” (Elizabeth, Pride and Prejudice)

4. Insta-Love (AKA Love at First Sight)

Film Review Les Miserables

Generally, this one frustrates me. I guess it may sound hypocritical to like young love stories of Peeta vying for Katniss at five and not love at first sight stories that take place years later, but at least as a child has several years to make up their mind if they actually love the person. So for teens and adults I tend to not find these insta-love situations not realistic or enjoyable, but for some reason I had next to no problem with Marius and Cosette and the 2012 Les Miserables film. Now, I will acknowledge that I have heard that in the book they have more of a relationship, but I have actually not read the book. I did, however, see the 1998 film, which doesn’t include as much of the story as the 2012 film, but somehow better develops Marius and Cosette’s relationship, so maybe that helped me not be as prejudiced towards it. Who knows, maybe it’s because they sing the entire movie and I just accept everything because it was so beautifully done. I can’t think of any good examples from books where I really accepted it. Does anyone else have one?

marius

5. Unrequited Love

jo&laurie

Laurie for Jo, Gale for Katniss, Rudy for Liesel, Harriet for Mr. Elton, Eponine for Marius, the list goes on… these are the stingers, when someone loves somebody and they just don’t love them back. It makes our soul ache, especially when we would have loved to see them as a couple. Or sometimes you know they wouldn’t be a good couple and you’re relieved! But you still probably feel at least a little bad. There are also a couple of great and tragic examples of this from the show Babylon 5 that I really want to share, but I don’t want to spoil the show, so just go watch all five seasons and then we’ll chat about it. Instead, I leave you with a quote from the show…

“All love is unrequited, Stephen. All of it.” (Susan Ivanova, Babylon 5)

What type of love relationships are your favorite to see in stories? What are you tired of seeing? What other love relationship types from stories can you think of?

Review: Star Trek Into Darkness

To review this movie without giving away any serious spoilers would be difficult at best. So let me say what I can first…

I laughed and I cried.

This movie is largely about Kirk’s development as a character.

Benedict Cumberbatch gave a stellar performance.

Karl Urban as Dr. McCoy is still my (and my husband’s) favorite character in the reboot universe, as he was in the 2009 movie.

You can enjoy this movie with limited Star Trek exposure (you should probably at least see the 2009 film), but the more Star Trek you have seen, the more you will appreciate the movie. And if you do enjoy J.J. Abrams’ Trek films, you should really go back and watch the original source. It’s not as polished and sometimes it’s hokey, but the heart is there, and you can more fully grasp the meaning of what happened in this film.

And let me warn you, I’m about to get super Star Trek nerdy.

Now for the spoilers! I have whited out the spoilers so you can scroll down to comment without fear if you’re not ready, so highlight the white parts to read if you are ready. (Also, any links you click on will contain spoilers for various series in the Star Trek universe and other movies, so do so at your own risk!)

shallweComparisons to the Original Source

So there was a lot of talk about John Harrison when he was announced as the villain. Even before, it was widely speculated that he was actually Khan, who long-time Trekkies know from The Original Series episode “Space Seed,” and the movie Star Trek II: Wrath of Khan (Wait, this wasn’t Star Trek 2? No it wasn’t! In fact, it’s the 12th Star Trek movie.) Some believed it, some didn’t. Most of the time, I was in the camp who believed he wasn’t. I mean, Benedict Cumberbatch looks nothing like Khan! (Click here for a picture reference) I thought I would be disappointed if he was Khan. But I also wanted to keep an open mind.

When watching the movie, probably about ten minutes in there was a dead giveaway for me that Harrison was either Khan or involved with augments somehow (if you don’t know what augments are, your homework is the aforementioned “Space Seed,” as well as the Star Trek: Enterprise episodes “Borderland,” “Cold Station 12,” and “The Augments), and that was when he told that man that he could save his daughter’s life. Genetic engineering was clearly involved.

I also nearly cheered aloud when Section 31 was mentioned (Your homework to learn more about Section 31 is the Star Trek: Deep Space Nine episodes “Inquisition,” “Inter Arma Enim Silent Leges,” “When It Rains…,” “Tacking Into the Wind,” and “Extreme Measures,” as well as Enterprise episodes: “Affliction,” “Divergence,” “Demons,” “Terra Prime.” (Those these episodes will make more sense and mean more if you watch the entire series, so essentially I’m telling you to watch everything. 🙂 )), and am glad that brought it up. I think Section 31 is a great element of the Star Trek universe because it shows a darker underbelly of the Federation and that it’s not perfect (I know Gene Rodenberry is rolling in his grave as I type this, but it’s true). Though I found it odd they didn’t debrief Kirk and crew about how they shouldn’t mention to anyone ever. Hmmm…

Anyways…

I decided to embrace Cumberbatch’s character as Khan while watching the movie. And then when Kirk went into that radiation zone, I once again knew what was going to happen…

Seriously, you need to watch Wrath of Khan.

Kirk was going to die. Spock was going to see him die. It would be the reversal of The Wrath of Khan, where Spock died it Kirk had to watch. And I was stunned that J.J. was actually doing this! Was is a rip-off or an homage? I mean, this is a alternate timeline, so I suppose a lot of it can play out similarly yet different (but don’t get me started on how different the uniforms and interior ship designs are and yet most of the Enterprise crew is the same… I’ve always had a problem believing alternate reality stories. But anyway, tangent over…). But I was crying in the theater, tears rolling down my cheeks, as I watched the scene between Kirk and Spock as Kirk died play out. So I accepted it. (By the way, to see a comparison between the death scenes in this movie and in Wrath of Khan, click here.) I decided I really appreciated most of what J.J. portrayed in this movie with this timeline, borrowing from original elements that Trekkies already know and love.

The Characters

spock&kirkI thought the film did a good job in continuing Kirk and Spock’s relationship as we saw how it was set up in the 2009 film. Though Spock is half human, he generally chooses his Vulcan side, which drives Kirk, who is very much human, crazy, but he also has a lot of respect for Spock. And though Spock doesn’t always show it or even always know if himself, he has a lot of respect for Kirk. I think the death scene was so poignant for me because of how well-developed this relationship was in J.J.’s version of Trek, because when I cried, I cried for these characters, not the original ones. BUT I also think the background I have with the original ones certainly added to the emotional element. And though I still find Spock’s relationship a little unlikely (which was how I felt with the 2009 film), it was nice to get some human moments from Spock that helped lead up to later in the movie (“I choose not to feel…).

harrison-brigHave I mentioned that Benedit Cumberbacth was awesome as John Harrison/Khan? Because WOW, he was. Even if you are a Trekkie and know better than to trust Khan, it was easy to find yourself halfway wonder if there was any way this Khan might be different. But he isn’t! It’s true, he does love his crew like family, but he does not care about anyone at Star Fleet one iota. I find it kind of interesting that Star Fleet and Section 31 actually woke him up to work as an intelligence agent… and when I say interesting I am not sure if I mean that in a good way. It just seems unlikely, since they have banned genetic engineering after all. But who knows. Maybe they were truly desperate. But despite this, I thought he was a good villain, much stronger than Nero from the 2009 movie.

star-trek-into-darkness-karl-urbanAs mentioned before, Karl Urban as McCoy is my favorite of J.J.’s Enterprise crew. He just hits him dead-on without being just like DeForrest Kelley. It’s the perfect blend of new character with old character. I can’t say enough good things.

Star-Trek-Into-Darkness-Worried-ScottySimon Pegg as Scotty would probably be my second favorite. I really enjoyed him in the last movie and this one.

star-trek-into-darkness-alice-eveThe rest of the supporting cast was great as well, though Sulu and Chekov’s air time was pretty limited (as my husband said when we talked about Sulu’s time in the movie: “at least he got to be Captain for a little while.”). Zoe Saldana as Uhura again portrayed her as a strong yet feminine character, and I felt Alice Eve did the same for new character Dr. Carol Marcus (well, new to this film because, you guessed it, Carol Marcus is also in Wrath of Khan). I wish we could have seen more of Marcus in this film, but hopefully we will in the future.

Overall Story

I enjoyed the story overall, and once I accepted the borrowed elements from Star Trek past, I embraced those elements and thought the new twists that were added all worked together nicely for this film. I love how the story opens feeling very much like classic Star Trek with bright colors and an alien planet, and then descends into a darker feel much more reminiscent of series Deep Space Nine and Enterprise. I felt the pacing was mostly on point, though the last maybe ten-ish minutes were a little off in some ways. I’m not unhappy with the ending, but it felt a little strange to have the big climax of Kirk dying, then this chase scene with Khan and Spock, and then have a wrap-up after Kirk is saved and the movie tries to quickly tie things up so much so that we leap forward to a year in the future so we can see a new Enterprise and be all set up for a third movie (or a new TV SHOW!!!! Which I want so badly, but due  to rights issues is not very likely to happen). I did love seeing Khan frozen again, with a hint of a smile on his face, and though before this movie I was not gung-ho for anymore Khan (despite how much I’ve told you to watch The Wrath of Khan I don’t entirely love it the way most Trekkies do), I DO like the concept a lot and I felt this movie did a lot for it, to the point where I would be completely happen to see a return in another movie. Though preferably a TV show. Sigh.

Oh, and I haven’t even mentioned the TRIBBLE! Watch “The Trouble with Tribbles” and “Trials and Tribble-ations” ASAP. You will thank me.

274227064779931434_w6ZLLtWx_cI think I’ve said enough now. So if you saw the movie, what were your thoughts? If you haven’t, what are you waiting for?!

I would give Into Darkness 4/5 stars, or on a 10 star scale, 8 stars.

Want to see what others thought? Check out these reviews too:

http://marveloustales.wordpress.com/2013/05/20/star-trek-into-darkness/

http://booksinthemoonlight.wordpress.com/2013/05/20/star-trek-into-darkness/

http://viewerscommentary.wordpress.com/2013/05/18/theatrical-review-star-trek-into-darkness/

http://houseofgeekery.com/2013/05/10/movie-review-star-trek-into-darkness/

http://42lifeinbetween.wordpress.com/2013/05/16/star-trek-into-darkness-review/

My Top 10 Light & Fun Movies

EDIT: I accidentally scheduled this post for 6 AM CST on May 9 instead of May 10 as I meant it, and it was not completed. Note that this post was edited to completion in the evening of May 9 a little after 6 PM CST. Thanks and my apologies! 

The Top Ten Tuesday topic posed by The Broke and The Bookish was “Top Ten Books When You Need Something Light & Fun.” Well, apparently I don’t do light and fun much in books because when I tried to think of one book that fit into this category, my mind went blank. But when I started thinking about light and fun movies, it was a lot easier! I tend to spend less time reading something light than I do watching light-hearted movies. I love darker movies too (particularly of the Christopher Nolan variety), but here’s a list of 10 movies that are pick-me-ups for me, with very few serious undertones.

Note: I decided to leave out animated movies, because they would have dominated this list too much. I’ll do a Top 10 Animated Movies list sometime. Also, instead of ordering these, I am just clumping them into categories.

The Chick Flicks

chickflicksOK, so there are a few serious undertones in these movies, but they sure do make you feel light after you finish watching them. While You Were Sleeping and Emma are delightfully fun with quirky characters and friendships that turn into romance. Little Women explores the changes of life and growing up, showing both its trials and joys. And of course, Pride and Prejudice is the classic romance that makes many of us enjoy.

Just Fun and Silly

fun&sillyThese movies are not the best movies ever made, but they’re fun and I do enjoy them each in their own way. I remember when I went to the theater with a group of friends to see Napoleon Dynamite while I was in high school, and I had NO idea what I was getting myself into! Afterwards we all looked at each other and asked, “Was there a plot in there?” (According to a scriptwriting book I own, the answer is yes, it’s just cleverly disguised!) But it’s just funny. Daddy Day Care is just silliness, centered on three men who lose their jobs and decide to try to make ends meet by watching kids. Steve Zahn is particularly hilarious as a Trek enthusiast. And The Mighty Ducks… oh how I love these more than a lady in her mid-twenties should. The plots of the second and third are a little ridiculous when you think about them, but that’s OK. Because you love the Ducks, and you just can’t help but root for them.

A Little Magical

alittlemagical2I  love that these stories are set (mostly) in the real world but have just a touch of magic to make them more light and fun. Enchanted is a brilliant parody of every Disney animated princess movie ever, but still sticks close to its formula (complete with several songs) and make us all fall in love with Giselle and root for her and Robert. Mr. Magorium’s Wonder Emporium is an underrated gem, which features a very uncertain early-twenty being given the task of taking over her boss’ magical toy store. You seriously need to see this one if you haven’t already. August Rush is a beautiful story featuring amazing music that follows a boy looking for parents and looking for music. There’s no real magic involved, but there are definitely some miracles.

What are some of your go-to light, fun movies?