Tag Archives: books

My Top Ten Favorite Beginnings/Endings In Books

This week’s Top Ten Tuesday topic (hosted by The Broke and the Bookish) focuses on favorite book beginnings and endings, and I’m focusing specifically on my favorite beginning and ending lines. Let me warn you though, I think the lines for a couple of the endings are kind of spoilery if you haven’t read the book. This week’s list is in no particular order:

1. Beginning: The Book Thief

beg-bookthiefA startling opening line from our narrator from The Book Thief, Death.

2. Ending: Crime and Punishment

end-c&p2This was such a hard, and often times depressing, book to read, so I was quite thrilled when it had a very hopeful ending where, while Raskolinkov is paying for his crime, the woman he loves has promised to wait for him and he is a better man.

3. Beginning: The Beekeeper’s Apprentice

beg-beekeeperNearly steps on Sherlock Holmes while reading? Definitely an intriguing start!

4. Ending: The Hunger Games

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If I could have, I would have shared that entire thought process Katniss goes through as Peeta hands her flowers and makes it clear he wants them to be an item in real life. “I want to tell him he’s not being fair. That we were strangers. That I did what it took to stay alive, to keep us both alive in that arena…” Man this ending broke my heart in so many ways as I was so rooting for Peeta, and it made me want to pick up Catching Fire right away!

5. Beginning: The Scorpio Races

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This is next on my TBR, but I read the first little bit as a preview before buying the book, and this opening line definitely caught my attention.

6. Ending: Catching Fire

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This was a bit shocking… and again, made me ready to start Mockingjay! (So glad I didn’t read these books until all three were out…)

7. Beginning: The Giver

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I wasn’t really sure what to expect when I first started The Giver, and for some reason this beginning stood out to me. Why was Jonas afraid now? Why had the aircraft from the year before frightened him so much? I was instantly interested in Jonas’ world and his story.

8. Ending: Mockingjay

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I’m not counting the epilogue, which while I don’t actively dislike it, I just felt like was really out of place. But the last page of Mockingjay (before the epilogue) literally made everything in the the entire series worth it for me. After everything, Katniss finally found some security.

9. Beginning: Rebecca

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Instantly intriguing. What is Manderley?

10. Ending: The Book Thief

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The Book Thief begins strong and ends strong, while remaining intriguing throughout most of the book. Basically, you need to read it.

What are your favorite beginning and ending lines from a book? 

A Book’s First Impression

When you first crack open a book, be it one you anticipated before getting a hold of it, or whether you are browsing a bookstore and curious about the tone of the book, the first line of the book is your first impression of the writing in the book. I was thinking about this as I was thinking about next week’s Top Ten Tuesday topic (Best Book Beginnings/Endings) and when I read this article about Stephen King and his opening sentences. I know the first line isn’t everything, but it helps set the stage for the rest of the book. One of the examples given in the article I found really interesting…

They threw me off the hay truck about noon.

This is from James M. Cain’s The Postman Always Rings Twice, which I have never read, but I find that opening line fascinating. Sounds like this character is a drifter of sorts, since he’s hitching a ride on a hay truck. But what led him there? Why did he get kicked off? Already I have questions! And that’s a good thing! Here is another beginning that certainly catches your attention with the first several lines:

First the colors. Then the humans. That’s usually how I see things. Or at least, how I try.

*** HERE IS A SMALL FACT***

You are going to die.

This is the beginning of The Book Thief by Markus Zusak. You don’t know yet that the narrator is Death, but he has certainly caught your attention, you know he’s not human, and the stage is set for the tone and style that will carry on throughout the novel.  And then one more I wanted to share, from The Scorpio Races by Maggie Stiefvater, which I have not read yet but is on the top of my TBR pile:

It is the first day of November and so, today, someone will die.

This too begs a question: why will someone die because it’s November 1? What happens on November 1? And of course, we also  have the time of year, which is nice. I think that generally, it’s important to establish a character and a setting within the first paragraph.

writing-leopardAs someone who does write, I do find beginnings hard sometimes, or at least a good, powerful beginning. I feel like I have improved since I’ve learned to eliminate all fluff in writing and get right to the action, the good stuff. If you ever read anything I write, chances are you won’t be waiting for something to happen in the character’s life; it will be happening quite quickly. It might not be the most earth-shattering thing ever, but it’s something important to the character. I have found that I have a low tolerance in both reading slow beginnings and writing them.

If I get bored writing a sentence, a paragraph, or a scene, I know it must be boring for the reader too. I believe that everything written should be something that either advances the plot/story forward, or that advances the character’s personal growth/character arc. That’s why it’s important to not just begin strong, but to have a strong middle and end as well. And it’s hard! But it’s important. And I think the first impression of a book says a lot to a reader who is just getting started on the adventure the writer has crafted.

What do you think? Does a book’s beginning make a difference to you? What kind of opening line grabs your attention? 

Emma: An Awesome Adaptation Featuring A Love Triangle

Awesome Adaptations is hosted by Picture Me Reading, and is a focus on book-to-movie adaptations that we think are awesome!

How appropriate that the same month that A Novel Idea is hosting their Love Triangles 101 event, that this topic would come up! Instead of focusing on a modern-day story, however, I thought I ought to pay homage to The Original Queen of Love Triangles (this is not official, but I thought it sounded good) Jane Austen, and of her most convoluted triangley stories, Emma.

bool-movie-emmaI have mentioned many times before how much I really love the 2009 BBC mini-series of Emma (it’s over three hours long and filled with so much goodness!). Though I have not read the book yet, every actor/actress in this adaptation just seem to hit their character so spot-on. They feel like real people and I really come to care for several of them (the ones you’re supposed to care for… Mr. Elton… not so much).

Just so you can see just how much love triangleness is going on Emma, I stole a chart from Diana Peterfreund’s website (apparently she thinks about Jane Austen’s stories even more than I do) and doctored it up with pictures:

emmadiagram-editI have to imagine if you have never seen the movie or read the book, this must be seriously hard to follow. But basically, everyone gets crushed on at some point and everyone crushes on someone at one point; sometimes it’s clear, sometimes it’s confusing, sometimes it’s a rumor, and sometimes they change their mind! It honestly feels like real life though (sometimes uncomfortably so), but it is so much more fun to watch it happen to these people in old timey England than it is for it to happen to you.

If you haven’t checked out this version of Emma and enjoyed Jane Austen’s stories, I would HIGHLY recommend it! The fact that it was able to push the 2005 Pride and Prejudice movie from the top spot of my favorite Jane Austen movie adaptations is a seriously huge deal and just shows how awesome it is. (Side note: I loved the 2005 P&P so much I used one of the tracks from the movie as the song I walked down the aisle to in my wedding, so yeah, I seriously love it.)

What do you think is an awesome adaptation that features love triangles? (I’ll give you a hint, the answer isn’t Twilight.) 

What I Want to See More of in YA Fiction

A variety of trends have been making the rounds in young adult fiction, some that I enjoy, some I don’t, and some I feel neutral about or that I feel I have not seen done to its full potential yet. Here are some things (some are current trends, some are not) that I would like to see more often in young adult fiction…

Slowly-Building Romances

I think Cinder, The Hunger Games, and For Darkness Shows the Stars all feature good examples of this. It isn’t insta-love, or even, “Oh hi, one day you’re my friend and the next day I might love you because you kissed me and it felt good!”, but it starts off small and builds over time, naturally.

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True Dystopia

The books 1984 and Fahrenheit 451. The movies Equilibrium and V for Vendetta. Episodes of The Twilight Zone such as “The Obsolete Man” and “Number 12 Looks Just Like You.” What do they all have in common? They’re true dystopias!

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I think a lot of “dystopias” in young adult fiction have an element of this, with a weird or oppressive government, but a lot of times the danger doesn’t feel all that real, especially if it only takes a couple  of kids to overthrow the government. Or if the whole plot of the book is conveniently about how oppressive the government is when it comes to marrying who you want, and then you proceed to fall in love with someone that you’re not supposed to. I feel you and all but please… there are bigger problems  in this world. I want to see more daring, more dangerous dystopias.

More Science Fiction Elements

More genetic engineering, more clones, more space! I’m a developing geek, so I want more science fictiony things that aren’t quite the full-blown deal. However, I’m picky about it being so light it seems pointless. For Darkness Shows the Stars, for instance, handled it fantastically.

Unique Story Ideas

uniqueWhat do these two have in common? Nothing really, except they both have my love for their unique stories, one as a book and the other as a movie. Since we’re talking YA fiction though, I’ll focus on The Book Thief. It’s a WWII story, not uncommon in of itself. But the narrator is Death, which sets the entire tone for how we see the story of a little girl named Liesel who steals books. Her story may not be entirely unique in all that she experiences during war, but the point of view we are given of her story is. And I love that I have never read a book like it before or since.

Retellings

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Does this sound like a contradiction to my previous point? Yes. Do I care? No. While I love a super unique story, I also love seeing new spins on old tales. My two favorite retellings that I have read this year are For Darkness Shows the Stars, based on Persuasion but is set in a future world where genetic engineering has gone wrong, and Cinder, a retelling of Cinderella where our MC is a cyborg and has bigger problems than missing her glass slipper! It’s fun to see an updated or futuristic twist on a familiar story, because it feels familiar and new all at once – the best of both worlds!  

Bromance

So many young adult books focus on a girl, and the guys in her life are typically feuding suitors. Why can’t the guys be friends? Why isn’t there more focus on them? Does everything have to be about romance? How about some bromance?!

The best bromance ever; from Star Trek Deep Space Nine.

Stand-Alone Books

Series have their place, and I certainly appreciate the arcs they can provide, but it’s nice to get the entire story in one book every so often. The Book Thief is the only YA fiction book I have read this year that was a stand-alone, but The Scorpio Races and a few others are on my TBR!

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What do you want to see more of in young adult fiction? 

Review: For Darkness Shows the Stars

I knew I had to read this book when I heard that it was basically Jane Austen’s Persuasion meets genetic engineering, and I’m glad I did!

synopsisGenerations after tampering with genetic experimentation has gone wrong and caused the Reduction, Posts are being born, descendants of the Reduced who are no longer limited to the docile state of the Reduced. Meanwhile the Luddites rise to power, placing protocols in place to ensure that such a disaster never occurs again. Elliot, born and raised a Luddite, was once forced to choose between helping her family and their estate or running away with the Post boy she had grown to love over the years. When he returns four years later, the consequences of her choice continue to haunt her daily, and she comes to learn just how much the world is changing as Posts gain more wealth and power.

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There was so much I adored about this book! It was not perfect, but let me outline some of my favorite elements…

The unique adaptation of PersuasionI have not read Persuasion, though I have seen a film version of it and after reading this book, it has jumped much higher on my TBR list. Despite my limited exposure to it, it was obvious how much influence of the story was included. Not only is the basic premise there, but even the writing felt a bit Austen-esque (though more modern-day friendly). And the world-building supported it. The world-building in this story, I felt, was pretty strong. Somehow, Peterfreund was able to craft a world that was believably a part of the future, but also somewhat rooted in the past. The nobility structure of the Luddites mirrors the time in which Austen lived in, where estate owners live in wealth and where it is not uncommon for families to inter-marry (I guess Luddites really don’t worry much about genetics! o.O). I just loved how she merged the past and the future to create the technology-scared world as the perfect setting for an Austen-esque story. I loved the details that married past and future with the sun-carts that were used and the fashion the Posts wore.

I loved the MC, Elliot. She was independent but still loved and leaned on others. She was smart and stood her ground. She was fiercely loyal and self-motivated. I related to her a lot, at least personality-wise. But instead of irritating me (except when she wouldn’t give Kai a chance to talk to her, but more on that later), she inspired me. But she was not perfect. She constantly struggled over the beliefs of what she was raised to believe versus the changes she was seeing in her world. Sometimes others had to guide her and remind her that they were there for her and that she didn’t have to fight her demons alone.

The supporting characters were all unique in their own way. I did not feel any of the characters were one-dimensional. Though Elliot does paint her sister and her father out to be that way, we learn that there is more to both of them than meets the eye. Even Elliot’s Reduced friend, Ro, has a personality that can be clearly seen through her actions. I don’t have minor character that stands out as one that I really love, but I did appreciate them all in their own way.

The letters throughout the book. Elliot and Kai grew up together, and one of their favorite pastimes was writing letters to each other. At first the letters feel like basic background information, but then we see an increase in their relevance, as we see the philosophies of both Kai and Elliot forming at a young age. I like how through these letters, we can understand how the characters have developed to who they are when we meet them in the book.

The feels! Elliot goes through a wide range of emotions in this book, all for understandable reasons! When she practically hated Kai, I did too. When she grew hopeful maybe things would change back to the way they used to be with Kai, I felt my heart hope that for her too.

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But this book was not perfect. Here’s what I didn’t love so much…

Kai was just a little too mean for a little too long. Again, I have not read Persuasion, but in the movie I don’t remember Captain Wentworth being just so flat-out mean. Kai deliberately stirs up Elliot’s anger for a good portion of the book, to the point where I wondered if I even really wanted Elliot to get back with him! Thankfully, he realizes how awful he’s been and tries to make it right, but Elliot will never talk to him for more than five minutes. Anytime the guy was trying to apologize or tell her he cared or anything, she would never listen very long. Even towards the end when she’s not as mad at him, it’s like she won’t trust herself to talk to him for more than a few minutes. The guy has to write out a letter to explain what he wants to (of course, that’s perfect given the nature of their relationship… but still)!

The sometimes slow pacing and long passages of time passed by. The first few chapters of the book felt clunky to me, not long, but like a strange, slow way to start a book. There’s an early chapter where we meet Ro, but other than the purpose of meeting her specifically as well as someone who is Reduced, it feels really pointless. We do learn things about Ro that carry throughout the book, but I really would have like to have seen something more from the chapter. I feel like Elliot explains a lot early on as well, instead of letting us discover things as the reader through dialogue and such, but thankfully this wanes over the book.

There were also times when periods of time would pass and we would only get a few sentences on what happened. I don’t mind this when used scarcely and when used correctly, but it happened a few times and there were times it felt awkward. Like Kai and Elliot would seem to be close to having a moment when their conversation is interrupted, and then we skip to months in the future with the indication that they have not interacted anymore in that time. I suppose in the nature of the story it is plausible, but it was utilized more times than I personally prefer.

The ending was rushed and not quite as emotionally satisfying as I was expecting. So Elliot finally figures out what Kai has been trying to tell her, that he cares for her still, and yet she continues to completely ignore him and intends to do so until he leaves. Then suddenly he leaves the letter explaining how she feels and she is running out the door without a care in the world, singing that she is going to actually run away with her love this time. I had no problem with this idea really, but it felt so crazy fast, and when it all came down to them finally being open to one another, I didn’t feel the tug at my heartstrings I was anticipating. (I did re-read the ending a second time and it did feel a little more emotionally satisfied, but it wasn’t to the degree I was hoping.)

I was left wanting more. Elliot spends the entire time struggling between what she was raised to believe, what choices Kai has made, and what the world seems to be becoming. I  know there is another book coming out soon that is set in this same universe, and I’m glad Peterfreund did not leave us with an absolute answer of what is definitely right and what is definitely wrong in terms of what we do with genetic engineering, but I would have liked for Elliot to at least have either some sort of resolution or reconciliation… not necessarily to all her questions, because that might take a lifetime, but as how she will go forward with Kai and the Posts while still staying true to herself, as it was clear she had not completely converted to their beliefs, and I honestly don’t think she needed to, especially not just for the sake of love. I just wanted to know what she was thinking at the end when it came to all that, but the romantic story dominated at the end and wrapped the story up.

However, even with these problems, I just adored reading the book so much. I felt giving it 5 stars was too much, but 4 seemed too little, so I’m doing another half rating of 4.5 stars.

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I will definitely be checking out Across a Star-Swept Sea, which is not about Elliot and Kai but takes place in the same world. It’s a very fascinating world and I can’t wait to learn even more about it!

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Content Advisory: One mild word, no sex, no violence. Very clean!

Have you read For Darkness Shows the Stars? What are your thoughts on it?