I thought an excellent topic for this week’s Top Ten Tuesday freebie would be the top ten elements I like to see in dystopia stories I have read. This can be the nature of the characters, the plot, the society structure, etc., and it can be from specific stories or in general. Here they are, in no particular order:
1. Sameness of the society
Though I think several dystopias have adapted this idea, but I like the way it is illustrated in The Giver the best. Not only does everyone follow the same progression through life up until they are selected for their job and start to train for those, but they do not exhibit much independent thought because of this environment. The ability has not been taken away or suppressed by drugs, but they have been encouraged through positive reinforcement all their lives to live a certain way, to not question it, and to not want any more. When Jonas learns of the past and colors and things no one else in his town knows about, it challenges his thoughts on the status quo. It’s easy for everyone to be the same, but is it really a life worth living?
2. Separation within the society
I think The Hunger Games in particular does an excellent job in showcasing a clear divide between the two main groups of people within the society: The elaborate Capitol and the struggling Districts. Not only do they force the Districts to give up children each year for the annual Hunger Games, which serve as a source of entertainment and gambling for the Capitols, but they subject the winners to their ways for the rest for their lives, so even the winners don’t really win. Some, like Finnick Odair, are even forced into prostitution because of their good looks and charming nature. Whatever the Capitol wants, the Capitol gets, and subjects the Districts to.
The Selection also shows a divide with a caste system and monarchy set in place, though I do not find Cass’ world building quite as detailed or effective as Collins’, it does have a lot of potential.
3. The “stand-out” among the society
I think there are several dystopias who have their main character a stand-out. Tris (and others) are Divergents in their society, and cannot be categorized by one faction of their society, which some see as a threat. In The Giver, Jonas stands out because he is the Receiver, he has the ability to receive past memories and see things differently than the rest of his society. In Across the Universe, those who think differently from the norm, like Elder and Harley are considered crazy, when really they are just creative and the others have had their creativity suppressed. It’s an obvious element not just for dystopia, but for any story, but it is an effective one. I believe most all of us have a desire to stand out somewhat, even if it scares us.
4. The “good guys” aren’t as good as they seem
The strongest element of Reached (the conclusion of the Matched trilogy), I thought, was how it was clear that the Resistance, the “good guys” in the story, aren’t as good as they had been romanticized by Cassia and Xander to be. They are willing to sacrifice people and create chaos in the name of their cause; they turn to panic rather than logic or strategy to overthrow the government. Cassia’s world grew more gray in Reached, which I think was a necessity for that series.
It’s also interesting to see in Divergent and Insurgent how among these five factions, one cannot really be labeled “the good guys.” Yes, there are the honest ones, the peaceful ones, the humble ones… But just the same, the factions are not particularly good or particularly bad. It is the individual who is good or bad.
5. A secret rules the society/main character
In either movies or books, I am always fascinated by the notion that everything the main character has believed about their life has been a lie or at least a facade veiling secrets. It happens in Across the Universe, Insurgent, The Giver, Ender’s Game, Cinder, The Maze Runner series, and of course in other stories as well. It’s funny when you’re on the outside looking in, not understanding why the main character can’t accept that their reality is not actual reality when it seems so obvious to you. Or sometimes, it takes the reader by surprise too. But either way, if I think about it, it would be hard for me to accept too. It’s a “what if” question that certainly makes for a fascinating string of possibilities.
6. Humans as test subjects
The Maze Runner series was not my favorite, but one thing I did find fascinating was what these teens were being put through. First they are forced to live in an environment with a seemingly unsolvable maze (as well as potentially dangerous), and then when they finally escape it, they only face more trials that they forced to go through in the name of science and discovery. Unfortunately, I found the end of the series to be unsatisfying for an explanation as to why all these weird techniques were supposed to help, as well as an unsatisfactory resolution to the characters and their journeys, but the overall concept of using humans as test subjects is certainly fascinating.
This is also a common theme in dystopia, but I think the way it was built up and ultimately played out in The Hunger Games trilogy is especially fascinating. Katniss plays the rules of the game to a point, but she slowly, and not completely purposefully, starts the destruction of the system from the inside out. She also has a lot of help along the way because even a teenage girl as strong as Katniss can’t take down a whole government herself.
8. Genetic mutation/manipulation
Unfortunately I have not seen too much yet of this yet in the dystopias I have read, and in the ones I have found it in, they have been used in somewhat underwhelming and disappointing ways, but genetic engineering fascinates me. I want to see more!
9. Strong and diverse characters
This, in a nutshell, is what really makes The Hunger Games stand out from other dystopias in my mind. I have never, in any other dystopia series I have read, fallen so in love with so many characters as I have in The Hunger Games. They are so well-rounded, each with such unique personalities, that they just feel so real. Sometimes I think authors get so caught up in their epic story line that they forget to give special treatment for the characters. But plot alone cannot carry a story; we need more epic characters! (Though I will say that The Lunar Chronicles are producing some pretty great characters as well, and I’m looking forward to seeing them develop more and meeting new ones in the last two books!)
Any story that starts off in the ruins of a previous society marred by war, or even years after war but with lingering aftermath, (Hunger Games, Divergent, Ender’s Game, The Selection, Cinder, etc.) piques my interest. What caused the war often determines how the society is rebuilt afterwards. There is often this notion that society will be better this way than it was before, but many times, as we see, that is not necessarily true.
Books mentioned in this post: